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Join Ads Marketplace to earn through podcast sponsorships.
Manage your ads with dynamic ad insertion capability.
Monetize with Apple Podcasts Subscriptions via Podbean.
Earn rewards and recurring income from Fan Club membership.
Get the answers and support you need.
Resources and guides to launch, grow, and monetize podcast.
Stay updated with the latest podcasting tips and trends.
Check out our newest and recently released features!
Podcast interviews, best practices, and helpful tips.
The step-by-step guide to start your own podcast.
Create the best live podcast and engage your audience.
Tips on making the decision to monetize your podcast.
The best ways to get more eyes and ears on your podcast.
Everything you need to know about podcast advertising.
The ultimate guide to recording a podcast on your phone.
Steps to set up and use group recording in the Podbean app.
Johannes Brahms has a special place in many musicians’ hearts - but what is it about his writing that is so captivating?
Today on LPO Offstage, YolanDa Brown joins violinist Fiona Higham, timpani player Simon Carrington, and horn player Mark Vines to find out how Brahms writes for their instruments, why the horn is not actually playing the notes as they are on the page, and how different conductors can completely change the feeling of Brahms’ first symphony.
YolanDa also broaches the question of what the players listen to outside work, and whether they still feel nervous before they step on stage…
The LPO will be performing Brahms’ Symphony No.1 on 27th September 2023, book tickets here: https://lpo.org.uk/event/johan-dalene-plays-sibelius-violin-concerto/
Produced by Tandem Productions for the London Philharmonic Orchestra
Twitter: @LPOrchestra
Instagram: @londonphilharmonicorchestra
Facebook: @londonphilharmonicorchestra
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