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Join Ads Marketplace to earn through podcast sponsorships.
Manage your ads with dynamic ad insertion capability.
Monetize with Apple Podcasts Subscriptions via Podbean.
Earn rewards and recurring income from Fan Club membership.
Get the answers and support you need.
Resources and guides to launch, grow, and monetize podcast.
Stay updated with the latest podcasting tips and trends.
Check out our newest and recently released features!
Podcast interviews, best practices, and helpful tips.
The step-by-step guide to start your own podcast.
Create the best live podcast and engage your audience.
Tips on making the decision to monetize your podcast.
The best ways to get more eyes and ears on your podcast.
Everything you need to know about podcast advertising.
The ultimate guide to recording a podcast on your phone.
Steps to set up and use group recording in the Podbean app.
Best in Show: Documentary shortlist special with Jon Batiste, Maciek Hamela, listener mailbag questions and award cats!
This week, the Best in Show crew dives deep into two documentaries that just made the 96th Academy Awards shortlist. After answering some mailbag questions about pesky release dates and Oscars eligiblity rules, London Editor Ella Kemp swoops in to take us in front of the camera with Jon Batiste—the composer and subject at the center of American Symphony—then Gemma goes behind the camera with Maciek Hamela, director of In the Rearview, which chronicles the immediate refugee crisis created by Russia’s invasion of Ukraine. Plus, Mia discovers the cat-centric Chlotrudis Awards, leading to her and Brian’s creating a new awards body for film and feline fans.
Chapters:
Credits: Recorded in Los Angeles, Auckland, London, and Toronto. Edited by Slim, production manager Sophie Shin, editorial producer Brian Formo. Theme: ‘Hyperlight’ by Letterboxd member Trent Walton (AKA Echo Wolf). Artwork by Danny Haas. Best in Show is a TAPEDECK production. Title courtesy of Christopher Guest.
Lists & Links: List of movies mentioned, Best in Show’s HQ Page, Sydney’s Society of Snow review
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