045: ICFX For Indie Filmmakers: Using LED Walls & Green Screen for In-Camera FX

ICFX For Indie Filmmakers:

Using LED Walls & Green Screen for In-Camera FX

What do you need to know when prepping and shooting on LED walls? How about using in-camera fx with green screen? Where is the technology heading and how can you get in on using this now to level up your filmmaking? Let's get in to it! (Episode 45)

Hosted by Director/Producer⁠⁠⁠⁠⁠⁠⁠ Jenn Page.⁠⁠⁠⁠⁠⁠⁠

If you want to be notified when we open our doors to our ICFX studio dedicated to indie filmmakers (and indie film budgets) fill out the form on our website at TheWorkingDirector.Pro.

You can also go there to join our private FB group for directors so you can attend these live conversations and get your questions answered; as well as, to learn about The Working Director course that helps emerging filmmakers become working directors faster.

More on our panelists:

Kyle Frazer has been active in the film and TV industry since 2004. He has worked on numerous projects from feature films to TV shows, and commercials to projects for the Department of Defense.  Some shows include Stalked Someone is watching and Americas Funniest videos.  He has demoed cameras for Panasonic, collaborated on their prosumer cameras, and early 3D models. Kyle has experience in setting up robotic cameras as well as live streaming events. As a Camera Operator and Director of Photography, Kyle has shot reality TV all over the world, and shoots digital content for Walt Disney World. After coming to Full Sail University, Kyle's skills were put to use establishing the streaming and technical aspects required to launch DCBS TV as well as extensive work with ESPN. During his time as an educator he was the course director for a few different classes including Digital cinematography 1, Portfolio III, Composition and Visual design and Electronic Field Production. Using all these skills he is currently running Studio V1 which is Full Sail University’s virtual production stage. While working in Studio V1 he has worked on many projects using the technology. Including features, TV shows, commercials and student projects.

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Kristofer Cross, a multi-talented performer and entertainment industry professional, originally from Chicago, Illinois. His journey in the world of entertainment began at a young age when he stepped onto the theater stage. Later, Kristofer and his family moved to Los Angeles, California, where he would embark on his career as an actor, dancer, and model.

From "The Hunger Games" to "Star Wars: The Force Awakens," "Joker," and sequels to "Avatar," Kristofer has left his mark on some of the most iconic films of our time. Beyond his contributions as a visual effects professional, he also delves into creative roles, writing, directing, producing, and developing his independent projects.

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Jess Loren is a highly accomplished entertainment professional with a broad range of expertise. As a tech entrepreneur, executive producer, and showrunner, she has founded and led two successful companies to profitable exits before the age of 30. Today, she serves as the Chief Executive Officer and founding partner of To Whom It May Concern, a production services company operating virtual production facilities in Burbank and North Hollywood. In addition to this, Jess is also the Founder and CEO of Global Objects, a pioneering tech startup focused on democratizing access to digital replicas of the real world. 

 A voting member of the Television Academy and a member of the Visual Effects Society, Jess has over 15 years of experience at the forefront of the digital and visual transformation of businesses. She has successfully managed complex projects as an executive producer and showrunner for leading global brands such as Netflix, Hulu, Apple+, Lifetime, A&E, Crackle, and Chicken Soup For The Soul in the realm of production.