I talk to Uruguayan filmmaker Maximiliano Contenti whose new horror film THE LAST MATINEE is in theaters right now. We discuss the 90’s inspiration behind the film as well as tackle colorism in Uruguayan and Argentine cinema. How does it relate to American cinema today? Plus, how do his generations’ filmmakers feel about the Hollywood industry today? Do they aspire to it OR are they rebelling against it?
Highly Relevant Playlist
Que Locura - J Balvin
Los Viejos Vinagres - Los Auténticos Decadentes y Panteón Rococo
Todo y Nada - Playa Limbo
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