This is the second part of a spoiler-filled discussion with Muzzamar Rahman about his film. Having discussed the narrative of ‘Prebet Sapu’, Fikri and (the other) Muz discuss how important Kuala Lumpur is not just as the film’s background and context, but also as the third main character of the film itself. They also get into the bigger picture political subtext, and how comfortable Muz feels portraying the bigger picture political points as one of the film’s subtext.
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