Hello Friends! This week on Mixology we're riding back to 1967 with The Hollies (again - whoops!), and their fantastic LP Evolution. Recording at the same time as Sgt. Pepper, and released the same day, this is an album that has always had a very curious stereo mix, one that sounds identical to the fantastic mono. Are these two dedicated, but very focused mixes, or is the mono simply a fold? Today we'll be taking a slightly different approach through the story of this mix, with a discussion on what makes or breaks a fold down, and the environment at EMI in which this album was released, and if Graham Nash, was actually a mastermind behind the mixing console. So if you think you're going to Leave Me, Stop Right There! You won't believe The Games We Play...