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Join Ads Marketplace to earn through podcast sponsorships.
Manage your ads with dynamic ad insertion capability.
Monetize with Apple Podcasts Subscriptions via Podbean.
Earn rewards and recurring income from Fan Club membership.
Get the answers and support you need.
Resources and guides to launch, grow, and monetize podcast.
Stay updated with the latest podcasting tips and trends.
Check out our newest and recently released features!
Podcast interviews, best practices, and helpful tips.
The step-by-step guide to start your own podcast.
Create the best live podcast and engage your audience.
Tips on making the decision to monetize your podcast.
The best ways to get more eyes and ears on your podcast.
Everything you need to know about podcast advertising.
The ultimate guide to recording a podcast on your phone.
Steps to set up and use group recording in the Podbean app.
The U.K. has had months of political chaos, with Liz Truss not even the first British prime minister to resign this year. In June, MPs began to realize that the only way to rid themselves of the scandal-prone Boris Johnson was to force him out of office. Johnson refused as long as he could manage. For satirist and architect Karl Sharro, recalling the many long revolts against British colonialism over the 20th century, the irony was too delicious to ignore: “It's great that the British are discovering how difficult it is to get rid of British rule,” he tweeted. Sharro’s absurdist humor is aimed at many targets – corrupt politicians and soccer referees among them – but perhaps at the media above all. His observations have resonated widely with those frustrated by patronizing international news coverage, even earning him a book deal — “And Then God Created the Middle East and Said ‘Let There Be Breaking News.’” “It’s just a way of poking fun at certain Western narratives and attitudes,” he tells New Lines Magazine's Faisal Al Yafai. It’s something that occasionally gets him into trouble with those who don’t see the funny side. He argues that ”secular taboos” are emerging, stifling creativity and leaving humorists like him with little room for error. “And these sorts of things — you go talk to anyone from a Middle Eastern or Arab background, and these are things you struggle against all your life,” he says. “You struggle against societal norms and restrictions, family norms and restrictions, authoritarian norms and restrictions. You want to be consistent with yourself, you want to say these transgressions should be dealt with through a freer form of critique.” He’s uncomfortable with the idea that any topic should be decisively off-limits: “You can joke about anything; it depends how you do it.” He reserves particular ire for those Westerners who were happy to laugh at his tweets about the Middle East but who failed to see the joke when it landed closer to home. Sharro has greeted the “general sense of dysfunction creeping in the West” with both anger and unabashed schadenfreude, despite living in the U.K. himself. “The collapse of the country has been very rewarding for me personally, in whatever comedic capacity I have,” he remarks.
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