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Join Ads Marketplace to earn through podcast sponsorships.
Manage your ads with dynamic ad insertion capability.
Monetize with Apple Podcasts Subscriptions via Podbean.
Earn rewards and recurring income from Fan Club membership.
Get the answers and support you need.
Resources and guides to launch, grow, and monetize podcast.
Stay updated with the latest podcasting tips and trends.
Check out our newest and recently released features!
Podcast interviews, best practices, and helpful tips.
The step-by-step guide to start your own podcast.
Create the best live podcast and engage your audience.
Tips on making the decision to monetize your podcast.
The best ways to get more eyes and ears on your podcast.
Everything you need to know about podcast advertising.
The ultimate guide to recording a podcast on your phone.
Steps to set up and use group recording in the Podbean app.
The story seems simple enough: An elderly man returns to his homeland to build a house for his family. And this man, Julian, seems a congenial, inviting presence: Always offering food, drink, and conversation. But in Iliana’s Sosa’s new documentary about her beloved grandfather, “What We Leave Behind,” there’s always a sense of mystery lurking.
Sosa builds this tone through her beautiful cinematography which captures not only everyday Mexican life, but also the deeper time of a place which contains the ruins of “The House of 100 Doors”--built for a demanding Spanish bride–as well as a rock named “El Castillo” where witches live. The result is a very personal film which also pulls us into the history of a family both Mexican and American, as well as the broader cultural and even economic relationship between the two nations. The film ultimately poses the question to all of us: What will be our legacy?
What We Leave Behind is now playing on Netflix.
Hidden Gem: A Married Couple
Follow:
@whatweleavebehindfilm on instagram
@la_ili_sosa on instagram and @boderchild on twitter
@topdocspod on twitter and instagram
The Presenting Sponsor of “Top Docs” is Netflix.
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