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Join Ads Marketplace to earn through podcast sponsorships.
Manage your ads with dynamic ad insertion capability.
Monetize with Apple Podcasts Subscriptions via Podbean.
Earn rewards and recurring income from Fan Club membership.
Get the answers and support you need.
Resources and guides to launch, grow, and monetize podcast.
Stay updated with the latest podcasting tips and trends.
Check out our newest and recently released features!
Podcast interviews, best practices, and helpful tips.
The step-by-step guide to start your own podcast.
Create the best live podcast and engage your audience.
Tips on making the decision to monetize your podcast.
The best ways to get more eyes and ears on your podcast.
Everything you need to know about podcast advertising.
The ultimate guide to recording a podcast on your phone.
Steps to set up and use group recording in the Podbean app.
Special guest Dr Omar Sayfo joins Chris and Alex for Episode 119 of the podcast, which features a rundown of Arab Animation covering a range of cartoons from Egypt, Iraq, and the United Arab Emirates, alongside a discussion of Omar’s recent book Arab Animation: Images of Identity (2021). Omar is an Affiliated Researcher in the Institute for Cultural Inquiry (ICON) at Utrecht University, and a researcher at the Avicenna Institute of Middle Eastern Studies, who has published articles in animation: an interdisciplinary journal, Media Industries Journal and The Journal of Popular Culture, as well as chapters in a number of edited collections. His monograph Arab Animation: Images of Identity looks at Arab animation from the 1930s to the present, offering an in-depth study of the “institutional and infrastructural background of animation production in the Arab world,” but also how Arab producers and artists have used animation to “mediate national, pan-Arab, Islamic and revolutionary identities.” Listen as the trio discuss a cross-section of animated examples that negotiate national culture and the mediation of political and religious messages, but also invite questions of local audiences vs. transnational flow; humour, allegory, and censorship; and the broader Arab political environment into which animation and fantasy has repeatedly entered. The case studies up for examination include Mish Mish Effendi (Frenkel Brothers, 1937) featuring the first Arab cartoon star; the fantasy film The Princess and the River (Faisal Al Yasiri, 1982) animated in East Germany; television series Freej (Mohammed Saeed Harib, 2006-2007) on the importance of tradition and custom; the parable Animal Stories from Qur'an (Sabbah Brothers, 2011) that demonstrates animation’s ability for educational entertainment; and the computer-animated feature Bilal: A New Breed of Hero (Khurram H. Alavi & Ayman Jamal, 2015) that depicts the life of Bilal ibn Rabah.
**Fantasy/Animation theme tune composed by Francisca Araujo**
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