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Join Ads Marketplace to earn through podcast sponsorships.
Manage your ads with dynamic ad insertion capability.
Monetize with Apple Podcasts Subscriptions via Podbean.
Earn rewards and recurring income from Fan Club membership.
Get the answers and support you need.
Resources and guides to launch, grow, and monetize podcast.
Stay updated with the latest podcasting tips and trends.
Check out our newest and recently released features!
Podcast interviews, best practices, and helpful tips.
The step-by-step guide to start your own podcast.
Create the best live podcast and engage your audience.
Tips on making the decision to monetize your podcast.
The best ways to get more eyes and ears on your podcast.
Everything you need to know about podcast advertising.
The ultimate guide to recording a podcast on your phone.
Steps to set up and use group recording in the Podbean app.
The BBS films we've been watching are culturally important for telling new types of stories within major studio-released films, but for the most part, outside of Head, the form of the stories hasn't been that different. The sex is more explicit, the drug use is forefront, but the actual structure of the film is more familiar, I think. Maybe that's just because we're 50 years on and it's less new.
Head was out there structurally, of course, and second to Head comes Henry Jaglom's A Safe Place, a film I cannot believe Columbia put out. It's structure has more in common with Chris Marker's Le Jetee (1962) than Easy Rider, and it feels more daring than anything we've seen in weeks of the BBS set. Jaglom is trying to chase Cassevetes, but unfortunately lacks Cassevetes' abilities. But at least he's got Orson Welles in his picture.
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