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Join Ads Marketplace to earn through podcast sponsorships.
Manage your ads with dynamic ad insertion capability.
Monetize with Apple Podcasts Subscriptions via Podbean.
Earn rewards and recurring income from Fan Club membership.
Get the answers and support you need.
Resources and guides to launch, grow, and monetize podcast.
Stay updated with the latest podcasting tips and trends.
Check out our newest and recently released features!
Podcast interviews, best practices, and helpful tips.
The step-by-step guide to start your own podcast.
Create the best live podcast and engage your audience.
Tips on making the decision to monetize your podcast.
The best ways to get more eyes and ears on your podcast.
Everything you need to know about podcast advertising.
The ultimate guide to recording a podcast on your phone.
Steps to set up and use group recording in the Podbean app.
In this episode, we continue our exciting exploration of the One Thousand and One Nights, with the story of “The Story of Ghanim the son of Ayyub, the Distracted Slave of Love” with Nights 40 and 41.
We are first told the story of the first slave, Buhkait, and how he eventually found himself castrated. We then listen to the story of the second slave, Kafur, and the mischief he inflicted on his master and the city before getting his supposed comeuppance.
We finally then return back to our main character, Ghanim the son of Ayyub, and what he found in the chest that the three slaves had carried and had attempted to bury in the graveyard.
As you listen to this episode, consider why Ghanim could have gotten the title of the “Distracted Slave of Love” by considering what he went to Baghdad to do and what he was actually doing.
This episode is important as it highlights one of the great divergences that begins to take place within the One Thousand and One Nights translations that we will have to deal with as we continue our explorations with this work. The story of the first slave, Buhkait, was excluded from the translation of Edward William Lane, on account of its content, but was included in the translation of John Payne and of Richard Burton. Payne's version of this tale, by my estimation, was significantly toned down due to English sensibilities in contrast to Burton's version which ramped up the obscenity.
If you need a refresher on Obscenity and Bowdlerization within the One Thousand and One Nights, then refer back to our One Year Special Episode 1 where we dealt with the groundwork on this issue.
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