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Join Ads Marketplace to earn through podcast sponsorships.
Manage your ads with dynamic ad insertion capability.
Monetize with Apple Podcasts Subscriptions via Podbean.
Earn rewards and recurring income from Fan Club membership.
Get the answers and support you need.
Resources and guides to launch, grow, and monetize podcast.
Stay updated with the latest podcasting tips and trends.
Check out our newest and recently released features!
Podcast interviews, best practices, and helpful tips.
The step-by-step guide to start your own podcast.
Create the best live podcast and engage your audience.
Tips on making the decision to monetize your podcast.
The best ways to get more eyes and ears on your podcast.
Everything you need to know about podcast advertising.
The ultimate guide to recording a podcast on your phone.
Steps to set up and use group recording in the Podbean app.
KJ Edwards (she/they) is a Kanien’kehá:ka, mixed-settler filmmaker and media artist. Their family is from Kahnawa:ké and Longueuil, Quebec, Canada; while KJ was born and raised in Treaty 6 Territory, Edmonton, Alberta, Canada. Holding a BFA in Film Production from the Toronto Metropolitan University, KJ is trained in narrative, documentary and experimental filmmaking techniques, using both analogue and digital hybrid workflows. She is a 2023 MFA graduate from Emily Carr University of Art + Design. KJ's thesis work involved eco processing analogue film, reflecting on the unpredictability of the medium as that of a collaborator, and the ways that dreams and memory can offer creative pathways toward content creation. Their short analogue films istén:'a (2023) and future ready: cusp (2023) are making festival rounds. KJ's debut short film Meet The Sky (2021), starring Chanin Lee, T’áncháy Redvers, and Cheri Maracle, premiered at the 2021 American Indian Film Festival, where it was nominated for Best Live Short. Meet The Sky also won the Best of BC and the Short Film Impact Award at the 2023 Vancouver International Women in Film Festival. She is currently developing this film into a feature with funding from the Canada Arts Council and The Indigenous Screen Office.
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