Conference: What Might Clinical Psychoanalysis Learn from Queer Theories of Sexuality?
Ms Karla Black
SESSION 3: ‘Experience’ & ‘Encounter’ in Practice & Theory
Session three begins with each discussant giving a brief, informal talk (10 mins each) on the speaker’s understanding of the two terms ‘experience’ and ‘encounter’ based on the discussant’s practice as a clinician and/or an artist and/or a theorist. ‘Experience’ and ‘encounter’ are two central concepts underpinning the book Clinical Encounters in Sexuality.
Ms Karla Black is a visual artist from Scotland. She was nominated for the Turner Prize and represented Scotland at the 54th Venice Biennale. She has exhibited at many international institutions, including the Scottish National Gallery of Modern Art in Edinburgh, the Irish Museum of Modern Art (IMMA) in Dublin, the Institute of Contemporary Art in Philadelphia, the Gemeentemuseum in The Hague, Dallas Museum of Art, the Gallery of Modern Art in Glasgow, the Schinkel Pavillon in Berlin, the Kunsthalle Nürnberg in Nuremberg, Migros Museum für Gegenwartskunst in Zürich, Kunstverein in Hamburg, Modern Art Oxford in England, David Zwirner Gallery in New York, Galerie Gisele Capitain in Köln, and the Inverleith House in the Royal Botanic Garden in Edinburgh. Her work is in Museum collections worldwide, including the Hammer Museum, Los Angeles; Migros Museum für Gegenwartskunst, Zürich; Scottish National Gallery of Modern Art, Edinburgh; Solomon R. Guggenheim Museum, New York; and Tate Gallery, London. A number of books have been published on her work. Her sculpture, ‘There Can be No Arguments’, is the cover image for Clinical Encounters in Sexuality.
It is Free