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Join Ads Marketplace to earn through podcast sponsorships.
Manage your ads with dynamic ad insertion capability.
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Earn rewards and recurring income from Fan Club membership.
Get the answers and support you need.
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Stay updated with the latest podcasting tips and trends.
Check out our newest and recently released features!
Podcast interviews, best practices, and helpful tips.
The step-by-step guide to start your own podcast.
Create the best live podcast and engage your audience.
Tips on making the decision to monetize your podcast.
The best ways to get more eyes and ears on your podcast.
Everything you need to know about podcast advertising.
The ultimate guide to recording a podcast on your phone.
Steps to set up and use group recording in the Podbean app.
In a change to the promised episode, this week we offer the first of our previews of October's Grimmfest digital horror film festival. (The latest in our Halloween franchise reviews will come next week instead.)
We hope the diversity of the content will help you forgive the lower-than-usual Zoom-call sound quality. Guest host Ian Winterton has been working hard interviewing a raft of filmmakers from the festival's slate, and here he joins regular host Dan to give an overview of the films on offer over the 7th-11th October. Ian's been kind enough to invite Dan aboard some of the interviews, so here we present conversations with the people behind three of the upcoming films.
Writer-director Brea Grant discusses her hospital-set, gruesome comedy thriller 12 Hour Shift, co-directors John C Lyons and Dorota Swies talk about their gritty, social realist fracking-themed horror Unearth, and director Cody Calahan and star Ari Millen discuss dark Canadian drama The Oak Room.
Relevant Links and Availability
To find out more information and purchase tickets for Grimmfest 2020, go here.
Des is currently showing on ITV1 in the UK and is available to stream at the ITV Hub.
The Black Hole is streaming on Disney+ (in all territories, we assume).
All soundtrack clips are used for the purposes of criticism, in the spirit of Fair Dealing (UK law) and Fair Use (US law). No copyright infringement is intended.
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