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Join Ads Marketplace to earn through podcast sponsorships.
Manage your ads with dynamic ad insertion capability.
Monetize with Apple Podcasts Subscriptions via Podbean.
Earn rewards and recurring income from Fan Club membership.
Get the answers and support you need.
Resources and guides to launch, grow, and monetize podcast.
Stay updated with the latest podcasting tips and trends.
Check out our newest and recently released features!
Podcast interviews, best practices, and helpful tips.
The step-by-step guide to start your own podcast.
Create the best live podcast and engage your audience.
Tips on making the decision to monetize your podcast.
The best ways to get more eyes and ears on your podcast.
Everything you need to know about podcast advertising.
The ultimate guide to recording a podcast on your phone.
Steps to set up and use group recording in the Podbean app.
In Conversation with Lyndon Terracini
Arts:Performing Arts
You may not know John Frost, but if you’re a musical theatre fan living in Australia, there’s a good chance he’s been responsible for some of your favourite nights out.
Known in the industry as ‘Frosty the Showman’, John is Australia’s most prolific theatre producer, having been in the business of producing large-scale musicals since the 1980s.
Since 2012, we’ve collaborated with Frosty on some of our most successful musicals: South Pacific, The King and I, My Fair Lady, Anything Goes and Evita. Frosty has also staged countless national tours of beloved musicals, including The Phantom of the Opera, Wicked, The Sound of Music, Chicago, Cabaret and The Book of Mormon. In 1996, he won a Tony Award for his revival of The King and I on Broadway, and in 2003 won again as a co-producer of the original Broadway production of Hairspray.
In this interview with Opera Australia Artistic Director Lyndon Terracini, Frosty recalls how he broke into the theatre industry as a 15 year old in Adelaide and built his showbiz empire. He also talks about what motivates him as a producer and reveals the one musical he’d love to stage.
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