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Join Ads Marketplace to earn through podcast sponsorships.
Manage your ads with dynamic ad insertion capability.
Monetize with Apple Podcasts Subscriptions via Podbean.
Earn rewards and recurring income from Fan Club membership.
Get the answers and support you need.
Resources and guides to launch, grow, and monetize podcast.
Stay updated with the latest podcasting tips and trends.
Check out our newest and recently released features!
Podcast interviews, best practices, and helpful tips.
The step-by-step guide to start your own podcast.
Create the best live podcast and engage your audience.
Tips on making the decision to monetize your podcast.
The best ways to get more eyes and ears on your podcast.
Everything you need to know about podcast advertising.
The ultimate guide to recording a podcast on your phone.
Steps to set up and use group recording in the Podbean app.
In Conversation with Lyndon Terracini
Arts:Performing Arts
Gale Edwards has had the sort of career most stage directors dream of. For more than three decades, she's been one of Australia's most influential theatre-makers, having worked across all variety of performances; from large-scale operatic spectaculars, including our Handa Opera on Sydney Harbour productions of Carmen and Aida, to the most intimate of plays.
She's directed for all of Australia's major theatre companies, on Broadway and the West End, and was the first female director to create a work for the Royal Shakespeare Company's mainstage. She also won an Emmy Award for her filmed version of Jesus Christ Superstar.
In this conversation with our Artistic Director, Lyndon Terracini, Edwards revisits the first opera she ever directed, The Labours of Hercules, performed in a circus tent and featuring Terracini. She also reflects on her 20-year working relationship with Andrew Lloyd Webber, which had a less-than-auspicious beginning, and explains why she approaches Shakespeare and opera with a similar process.
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