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Join Ads Marketplace to earn through podcast sponsorships.
Manage your ads with dynamic ad insertion capability.
Monetize with Apple Podcasts Subscriptions via Podbean.
Earn rewards and recurring income from Fan Club membership.
Get the answers and support you need.
Resources and guides to launch, grow, and monetize podcast.
Stay updated with the latest podcasting tips and trends.
Check out our newest and recently released features!
Podcast interviews, best practices, and helpful tips.
The step-by-step guide to start your own podcast.
Create the best live podcast and engage your audience.
Tips on making the decision to monetize your podcast.
The best ways to get more eyes and ears on your podcast.
Everything you need to know about podcast advertising.
The ultimate guide to recording a podcast on your phone.
Steps to set up and use group recording in the Podbean app.
Last December, listener and Anglican pastor Chris Marchand wrote to tell me about Let Nothing You Dismay--an EP of Christmas music that could serve as a the soundtrack to A Blade Runner Christmas--and a book he wrote, Celebrating The 12 Days of Christmas: A Guide for Churches and Families. While we swapped email, we started talking about Sufjan Stevens' five-CD Music for Christmas.
Pitchfork.com reviewed it and contended that the album's plain-spoken embrace of Christianity felt punk in an indie rock context. The review felt a little like an effort to hold on to Stevens and pull him into indie's doubt-everything ethos that he might not really share, but to be fair, Music for Christmas sends enough signals that it's hard to feel certain about readings of it. Because of that, I thought Chris brought a perspective that would prove useful, so we met online early in January to break it down a bit.
In this episode, I also went into the collection to pull out another favorite that's hard to explain. The fiercely Canadian Stompin' Tom Connors released Merry Christmas, Everybody in 1970, and it's hard to put your finger on what's so great about it. I try though.
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