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Join Ads Marketplace to earn through podcast sponsorships.
Manage your ads with dynamic ad insertion capability.
Monetize with Apple Podcasts Subscriptions via Podbean.
Earn rewards and recurring income from Fan Club membership.
Get the answers and support you need.
Resources and guides to launch, grow, and monetize podcast.
Stay updated with the latest podcasting tips and trends.
Check out our newest and recently released features!
Podcast interviews, best practices, and helpful tips.
The step-by-step guide to start your own podcast.
Create the best live podcast and engage your audience.
Tips on making the decision to monetize your podcast.
The best ways to get more eyes and ears on your podcast.
Everything you need to know about podcast advertising.
The ultimate guide to recording a podcast on your phone.
Steps to set up and use group recording in the Podbean app.
Following our take on Star Wars: The Force Awakens (J.J. Abrams, 2015), the next instalment in the new Star Wars trilogy gets the Fantasy/Animation treatment for Episode 69, as Chris and Alex (and the Force) battle through Star Wars: The Last Jedi (Rian Johnson, 2017) to talk about its gender politics, questions of fandom and the film’s narrative of resistance, rebellion and struggle for power. Joining them for this celebration of contemporary Hollywood science-fiction is film critic and journalist Helen O’Hara, editor-at-large of Empire film magazine, and author of the book The Ultimate Superhero Movie Guide (2020) and the recent Women vs. Hollywood: The Fall And Rise Of Women In Film (2021). Listen as they discuss the ambivalent reception of Rian Johnson’s film, elements of its critical backlash, and how reviewers saw its vexed relationship to the Star Wars legacy; fan communities, gatekeeping and gender; the case of Kelly Marie Tran and the changing face of popular franchise cinema; how the film navigates themes of energy, force and balance ably supported by digital VFX and more ‘grounded’ effects technologies to create ‘lived in’ environments; sci-fi worldbuilding and the ‘incompleteness’ of fictional realms; Carrie Fisher as star, and the power of aging bodies that move through time (and space); and the central contradictions of Kylo Ren that enables The Last Jedi to question what it means to turn your back on genealogy.
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