JOE STRUMMER FIRES EVERYBODY! We managed to squeeze the entire Television Generation into our tiny studio to discuss both the last and least Clash album? What qualifies Bernie Rhodes to produce and co-write all the songs on this, other than the fact that he’s their manager? What would Art Garfunkel do if Paul Simon were the bass player for the Clash? Can drum machines be used well, and are they on this album? Does every song need a crowd of Joe Strummers singing along? Should the next great punk band be created through “American Idol” type auditions? Once you reach a certain level of popularity, is it inherently hypocritical to rebel against the mainstream? Do you want to hear two-and-a-half minutes of Mick Jones’ replacement playing Pac-Man? There’s a lot of crap to cut through on this week’s Detours and Outliers.
Sinead O’Connor’s “Throw Down Your Arms”
Glenn Danzig’s “Black Aria” (with Don White)
Dread Zeppelin’s “It’s Not Unusual”
Steve Miller’s “Born 2B Blue”
The Beach Boys’ “Summer In Paradise”
The Beach Boys’ “Love You”
Keith Moon’s “Two Sides Of The Moon” (with Kasey Elkington)
Dee Dee King’s “Standing In The Spotlight”
Lou Reed & Metallica’s “Lulu”
Van Halen’s “III”
Voivod’s “Angel Rat” (with Mhyk Monroe)
Kid Cudi’s “Speedin’ Bullet 2 Heaven” (with Brian Heim)
X’s “Ain’t Love Grand” (with Jenny and Michael Seman)
Lil Wayne’s “Rebirth” (with Bryson Worden)
Chris Cornell’s “Scream” (with Aaron Schilling)
Bruce Springsteen’s “Nebraska” (with Karl Christian Kumpholz)
Village People’s “Renaissance” (with Katie Bowman)
Moby’s “Animal Rights” (with Alf)
Joni Mitchell’s “Both Sides Now” (with Aleeya Wilson)
Neil Young’s “Everybody’s Rockin’”
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