DYLAN ALIENATES EVERYONE! Dewey Paul Moffitt, curator of the International Bob Dylan Tribute Festival, joins us to discuss the first major misfire from a career full of surprising reinventions. Why did Bob pick these songs? Why did he put them in this order? Were they put in any sort of order? Would this album be less effective if the songs were put in any sort of order? What is this album trying to do? If Dylan really did want to scare away his fan base, why is he trying so hard? Is this self portrait “warts-and-all” or just “warts-and-nothing-else”? Is this album a test? Find out if we passed on this episode of Detours and Outliers.
Sinead O’Connor’s “Throw Down Your Arms”
Glenn Danzig’s “Black Aria” (with Don White)
Dread Zeppelin’s “It’s Not Unusual”
Steve Miller’s “Born 2B Blue”
The Beach Boys’ “Summer In Paradise”
The Beach Boys’ “Love You”
Keith Moon’s “Two Sides Of The Moon” (with Kasey Elkington)
Dee Dee King’s “Standing In The Spotlight”
Lou Reed & Metallica’s “Lulu”
Van Halen’s “III”
Voivod’s “Angel Rat” (with Mhyk Monroe)
Kid Cudi’s “Speedin’ Bullet 2 Heaven” (with Brian Heim)
X’s “Ain’t Love Grand” (with Jenny and Michael Seman)
Lil Wayne’s “Rebirth” (with Bryson Worden)
Chris Cornell’s “Scream” (with Aaron Schilling)
Bruce Springsteen’s “Nebraska” (with Karl Christian Kumpholz)
Village People’s “Renaissance” (with Katie Bowman)
Moby’s “Animal Rights” (with Alf)
Joni Mitchell’s “Both Sides Now” (with Aleeya Wilson)
Neil Young’s “Everybody’s Rockin’”
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