NEIL YOUNG DISCOVERS SYNTHESIZERS! Did Neil actually write this album for his non-communicative son, or was he just trying to guilt us into re-evaluating this album? Does bookending this album with non-synthetic tracks make this bitter pill easier to swallow; or does it just undermine the whole concept? Would a series of animated music videos help explain what exactly a Computer Cowboy does? Does this album take place in a shared universe with Styx’s “Kilroy Was Here”; and if so, who would win Mr. Soul or Mr. Roboto? How long can the team resist making a pun around the word “transphobia”? Find out the truth on this episode of Detours & Outliers.
Sinead O’Connor’s “Throw Down Your Arms”
Glenn Danzig’s “Black Aria” (with Don White)
Dread Zeppelin’s “It’s Not Unusual”
Steve Miller’s “Born 2B Blue”
The Beach Boys’ “Summer In Paradise”
The Beach Boys’ “Love You”
Keith Moon’s “Two Sides Of The Moon” (with Kasey Elkington)
Dee Dee King’s “Standing In The Spotlight”
Lou Reed & Metallica’s “Lulu”
Van Halen’s “III”
Voivod’s “Angel Rat” (with Mhyk Monroe)
Kid Cudi’s “Speedin’ Bullet 2 Heaven” (with Brian Heim)
X’s “Ain’t Love Grand” (with Jenny and Michael Seman)
Lil Wayne’s “Rebirth” (with Bryson Worden)
Chris Cornell’s “Scream” (with Aaron Schilling)
Bruce Springsteen’s “Nebraska” (with Karl Christian Kumpholz)
Village People’s “Renaissance” (with Katie Bowman)
Moby’s “Animal Rights” (with Alf)
Joni Mitchell’s “Both Sides Now” (with Aleeya Wilson)
Neil Young’s “Everybody’s Rockin’”
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