Mixology: The Mono/Stereo Mix Differences Podcast
Music:Music Commentary
Hello Friends, and welcome to the main event! The first album that really made me take notice of mono/stereo mixing, and one of the most successful LPs of all time, The Beatles' 8th is undoubtedly a feat in studio engineering. To most, a fascinating collection of songs and sounds. To us, a greater window for differences to arise between the mixes of the album, and indeed there are plenty! So don your moustache and badges, choose your outfit, and get ready for our deepest dive yet.
Happy Listening,
Frederick
Support the podcast on Patreon here: https://www.patreon.com/backtomono
Email the show at: backtomonoradio@gmail.com
Listen to companion podcast Back to Mono: https://www.mixcloud.com/backtomonoradio/playlists/back-to-mono-complete/
Find me on Instagram @hypnoticfred
Join the Facebook Community here: https://www.facebook.com/groups/backtomono
Bee Gees 1st by The Bee Gees
Summer Days (and Summer Nights!!) by The Beach Boys
Blaze by Herman's Hermits
River Deep-Mountain High by Ike & Tina Turner
Take Me For What I'm Worth by The Searchers
(The Validity of) Friends (in Mono) by The Beach Boys
The Andy Williams Christmas Album by Andy Williams
1962-1966 & 1967-1970 (Remixed and Expanded Editions) by The Beatles
Waiting For The Sun by The Doors
Kinks by The Kinks
Ferry Cross The Mersey by Gerry and The Pacemakers, etc.
Ogden’s Nut Gone Flake by Small Faces
The More I See You by Chris Montez
Horizontal by Bee Gees
Hums of The Lovin’ Spoonful by The Lovin’ Spoonful
Begin Here by The Zombies
Beatles for Sale by The Beatles
The Who Sell Out by The Who
The Mamas and The Papas (Cass.John.Michelle.Dennie) by The Mamas and The Papas
Disraeli Gears by Cream
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