Mixology: The Mono/Stereo Mix Differences Podcast
Music:Music Commentary
Hello Friends! After looking at the fabulous self-titled debut LP from The Doors last year on the show, it only felt right to move on and cover their only other mono LP, Strange Days. Released in 1967, this album heralded a step forward for the group sonically, with the use of a greater number of tracks to record, as well as synth sounds and experimentation in the studio. This would naturally lend itself to an album with some even greater mix differences, but something is afoot here. Can we sort the dedicated mixes from the folds, and is the mono worth your time? Come take a Moonlight Drive with me and find out!
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Summer Days (and Summer Nights!!) by The Beach Boys
Blaze by Herman's Hermits
River Deep-Mountain High by Ike & Tina Turner
Take Me For What I'm Worth by The Searchers
(The Validity of) Friends (in Mono) by The Beach Boys
The Andy Williams Christmas Album by Andy Williams
1962-1966 & 1967-1970 (Remixed and Expanded Editions) by The Beatles
Waiting For The Sun by The Doors
Kinks by The Kinks
Ferry Cross The Mersey by Gerry and The Pacemakers, etc.
Ogden’s Nut Gone Flake by Small Faces
The More I See You by Chris Montez
Horizontal by Bee Gees
Hums of The Lovin’ Spoonful by The Lovin’ Spoonful
Begin Here by The Zombies
Beatles for Sale by The Beatles
The Who Sell Out by The Who
The Mamas and The Papas (Cass.John.Michelle.Dennie) by The Mamas and The Papas
Disraeli Gears by Cream
Smiley Smile by The Beach Boys
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