S3E48 Ash is once again joined by biographer Carl Rollyson to discuss his biographies of Sylvia Plath, and some of the challenges facing those who write about her. Find out more about Carl's work here:
Carl Rollyson - Works
Listen to 'A Life in Biography' on Spotify here:
https://open.spotify.com/show/30NNvRbagc74DpV44Eblip?si=YU1EBtCITvW987sZNNEqbg&dl_branch=1
And check out our Patreon page here:
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Title Music: 'Not Drunk' by The Joy Drops. All other music by Epidemic Sound.
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‘Kookaburra’ (1998) by Frieda Hughes
‘Address to Edinburgh’ (1786) by Robert Burns
“Ominous Whoosh”: John Thorne on Twin Peaks
“Plath’s Not a Phase”: Trish Grisafi on Breaking Down Plath
‘Stings’ (1962) by Sylvia Plath
“I Felt Like I Was Cheating on Plath”: Peter K. Steinberg on the Writings of Assia Wevill
‘The Swarm’ (1962) by Sylvia Plath
‘Electra on Azalea Path’ (1959) by Sylvia Plath
“My Mother’s Legacy is Secure”: Kate Levey on Brigid Brophy
The Snow Ball (1964) by Brigid Brophy
“Shakespeare’s Tutor”: Darren Freebury-Jones on The Influence of Thomas Kyd
The Birth of Merlin (1622) by William Rowley
The Spanish Tragedy (1587) by Thomas Kyd
Now Westlin Winds (1785) by Robert Burns
“A Festival that Focuses on Female Voices”: Sarah Corbett on Directing Plath Fest
‘November Graveyard’ (1956) by Sylvia Plath
“This Tender Substance”: Donnie Secreast on Plath’s Universal Element
‘Hardcastle Crags’ (1958) by Sylvia Plath
”It’s a Rigorous Demand”: Emily Van Duyne on Loving Sylvia Plath
‘The Jailor’ (1962) by Sylvia Plath
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