Introducing the Band:
Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) are with guest Jesse Walker. Jesse is books editor at Reason and author of two books, The United States of Paranoia and Rebels On the Air. He can be found on Twitter at @notjessewalker.
Jesse’s Music Pick: Willie Nelson
In Part Two, we pick up Willie’s story at his commercial breakthrough, Red Headed Stranger (1975). This opens a window in which Willie records frequent number one albums on the country charts and often dents the pop charts with his records, as well.
What’s changed? Well, Willie stops writing music for himself for an awfully long stretch. It’s somewhat ironic that his biggest successes in this era will come from other people’s songs after Willie’s writing helped so many artists move product in the years prior.
Near the height of “Outlaw Country,” Willie takes a sharp left turn by recording an album’s worth of compositions from the Great American Songbook. Stardust becomes a huge hit and allows Willie to do what he wants. Specifically, that means a series of tribute albums and duet albums in the late '70s.
The '80s would bring a string of crossover hits like "On the Road Again," "To All the Girls I Loved Before," "Pancho and Lefty," and "Seven Spanish Angels.” Always on My Mind was a HUGELY popular album at the time but signaled the end of a certain creative era for Willie. He writes again on Tougher Than Leather to mixed returns and the rest of the decade would see occasional hits among a plethora of releases.
The 1990s kick off with Willie’s tax trouble and a pretty great release meant to raise money to pay back the government. We dive into Who’ll Buy My Memories and other highlights from an interesting decade of music, with Across the Borderline, Moonlight Becomes You, Spirit, and Teatro (with Daniel Lanois producing) among his best work.
Willie has continued his firehose release schedule to this day, with a new album on the shelves just a couple months ago. We skim through the latter portion of his career, stopping to shine a light on a few of the more worthwhile albums.
Over two parts and more than six hours, we hope to give both die-hard Willie fans and those new to the artist an overview of what made him so great.
Episode 75: Ben Domenech / The Who [Part 2]
Episode 74: Ben Domenech / The Who [Part 1]
Episode 73: Alfred Schulz / The Pogues
Episode 72: Sean Hackbarth / Tears for Fears
Episode 71: Brad Birzer / Rush
Episode 70: Vincent Caruso / Roxy Music
Episode 69: Jane Coaston / Jimi Hendrix
Episode 68: James Poulos / The Smashing Pumpkins
Episode 67: Ben Jacobs / Gram Parsons
Episode 66: Kevin Madden / The Cars
Episode 65: Anthony Fisher / Elvis Costello [Part 2]
Episode 64: Anthony Fisher / Elvis Costello [Part 1]
Episode 63: Jeff Dufour / Rolling Stones [Part 2]
Episode 62: Harry Khachatrian / Rolling Stones [Part 1]
Episode 61: Matt Welch / The Beach Boys [Part 2]
Episode 60: Matt Welch / The Beach Boys [Part 1]
Episode 59: Scot Bertram & Jeff Blehar / Soundtracks
Episode 58: Matt Murray / Randy Newman
Episode 57: Michael Brendan Dougherty / Ben Folds Five
Episode 56: Kmele Foster / Marvin Gaye
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