Introducing the Band:
Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) are with guest Jesse Walker. Jesse is books editor at Reason and author of two books, The United States of Paranoia and Rebels On the Air. He can be found on Twitter at @notjessewalker.
Jesse’s Music Pick: Willie Nelson
In Part Two, we pick up Willie’s story at his commercial breakthrough, Red Headed Stranger (1975). This opens a window in which Willie records frequent number one albums on the country charts and often dents the pop charts with his records, as well.
What’s changed? Well, Willie stops writing music for himself for an awfully long stretch. It’s somewhat ironic that his biggest successes in this era will come from other people’s songs after Willie’s writing helped so many artists move product in the years prior.
Near the height of “Outlaw Country,” Willie takes a sharp left turn by recording an album’s worth of compositions from the Great American Songbook. Stardust becomes a huge hit and allows Willie to do what he wants. Specifically, that means a series of tribute albums and duet albums in the late '70s.
The '80s would bring a string of crossover hits like "On the Road Again," "To All the Girls I Loved Before," "Pancho and Lefty," and "Seven Spanish Angels.” Always on My Mind was a HUGELY popular album at the time but signaled the end of a certain creative era for Willie. He writes again on Tougher Than Leather to mixed returns and the rest of the decade would see occasional hits among a plethora of releases.
The 1990s kick off with Willie’s tax trouble and a pretty great release meant to raise money to pay back the government. We dive into Who’ll Buy My Memories and other highlights from an interesting decade of music, with Across the Borderline, Moonlight Becomes You, Spirit, and Teatro (with Daniel Lanois producing) among his best work.
Willie has continued his firehose release schedule to this day, with a new album on the shelves just a couple months ago. We skim through the latter portion of his career, stopping to shine a light on a few of the more worthwhile albums.
Over two parts and more than six hours, we hope to give both die-hard Willie fans and those new to the artist an overview of what made him so great.
Episode 55: Tim Miller / LCD Soundsystem
Episode 54: Cameron Joseph / Jackson Browne
Episode 53: Jay Cost / The Black Crowes
Episode 52: Jeff Pojanowski / Pavement
Episode 51: Stephen Miller / U2
Episode 50: Jack Butler / The Electric Light Orchestra (ELO)
Episode 49: CJ Ciaramella / The Clash
Episode 48: Adam White / Queen
Episode 47: Molly Ball / Radiohead
Episode 46: Jamie Kirchick / Elton John
Episode 45: David Lowery / Camper Van Beethoven and Cracker
Episode 44: Jessie Opoien / Old 97s
Episode 43: Dave Weigel / King Crimson
Episode 42: Robert VerBruggen / Guns N’ Roses
Episode 41: Andrew Kirell / Bob Dylan [Part 3]
Episode 40: Andrew Kirell / Bob Dylan [Part 2]
Episode 39: Andrew Kirell / Bob Dylan [Part 1]
Episode 38: Charles C. W. Cooke / The Beatles [Part 2]
Episode 37: Charles C. W. Cooke / The Beatles [Part 1]
Episode 36: Christopher J. Scalia / Cheap Trick
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