The last time the Writers Guild of America hit the picket line was fifteen years ago, with a strike that lasted a hundred days and cost the city of Los Angeles hundreds of millions of dollars. This year’s strike has the potential to drag on even longer. At the core of the dispute is the question of who deserves to profit from the revenue generated by streaming services. “[Studios] tell us that they can’t afford the cost of us,” Laura Jacqmin, a veteran TV writer and a W.G.A. strike captain tells the staff writer Michael Schulman. “And simultaneously they’re on their public earnings calls, trumpeting bright financial futures to their shareholders.”
Plus, the comedian and essayist Samantha Irby talks with the staff writer and critic Doreen St. Félix. Irby is beloved by fans for her particularly unvarnished truth-telling. She recently started writing for television on shows like Hulu‘s “Shrill” and HBO’s “And Just Like That . . .,” the “Sex and the City” reboot, which returns for a second season in June. But she has also maintained her memoir-writing practice, and is out with a new essay collection, “Quietly Hostile,” in May.
Introducing: “In The Dark”
Chloe Bailey on Working Solo; and the Lost New Jersey Photos of Cartier-Bresson
The Russian Activist Maria Pevchikh on the Fate of Alexey Navalny, and the Future of Russia
Stephanie Hsu on “Everything Everywhere All at Once”; and the 2023 Brody Awards
The Pandemic at Three: Who Got it Right?
Angela Bassett on Playing Tina Turner and Queen Ramonda of Wakanda
A Year of the War in Ukraine
Martin McDonagh Talks with Patrick Radden Keefe
Chuck D on How Hip-Hop Changed the World
Salman Rushdie on Surviving the Fatwa
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