After something of a hiatus from the main feed, this week the band is back together with our look at (the most recent, Rob) THE ACCUSED. We talk about how this film undercuts expectations, what it has to say about the experiences of children as opposed to adults, and the in some ways chilling ending of the movie.
Next Up
The next film on our Latin American road trip is 2001’s 25 WATTS from Uruguay.
Recent Media
EMPIRE RECORDS (1995): Allan Moyle, Anthony LaPaglia, Maxwell Caulfield
THE SUICIDE SQUAD (2021): James Gunn, Margot Robbie, Idris Elba
Recommendations
THE ACCUSED (1988): Jonathan Kaplan, Kelly McGillis, Jodie Foster
THE ACCUSED (1949): William Dieterle, June Truesdell, Loretta Young
THE REVENANT (2015): Alejandro Iñárritu, Leonardo DiCaprio, Tom Hardy
STAGED (2020–21): Simon Evans, Michael Sheen, David Tennant
Footnotes
Normal footnote service will resume next time: I hurt my hand this morning, and typing’s painful; I could leave it to Rob, but who knows what this section would look like then...
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4.26 - MEAN GIRLS (2004) & Limits
4.25 - 10 THINGS I HATE ABOUT YOU (1999) and Fun
Top 5 Of The 2010s
4.24 - THE CRAFT (1996) & Bullying
4.23 - DAZED AND CONFUSED (1993) & Coming of Age
4.22 - DEAD POETS SOCIETY (1989) and Poetry
4.21 - THE BREAKFAST CLUB (1985) and Endings (or Not)
4.20 - WHAT WE DO IN THE SHADOWS (2014) and Reality
4.19 - TWILIGHT (2008) and Female Autonomy
4.18 - BLADE (1998) and The Oppressed
4.17 - VAMPIRE’S KISS (1988) and Parasitism
4.16 - GANJA & HESS (1973) and Ecstasy
4.15 - BLACK SABBATH (1963) and Control
4.14 - CURSE OF THE UNDEAD (1959) and Genre Fusion
4.13 - RETURN OF THE VAMPIRE (1943) and Disease
4.12 - DRACULA (1931) and Abstraction
4.11 - NOSFERATU and Longing
4.10 - THE RAID (2011) and the Visceral
4.9 - DISTRICT 13 (2004) and Freedom
4.8 - THE LEGEND OF DRUNKEN MASTER (1994) and Comedy Action
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