After something of a hiatus from the main feed, this week the band is back together with our look at (the most recent, Rob) THE ACCUSED. We talk about how this film undercuts expectations, what it has to say about the experiences of children as opposed to adults, and the in some ways chilling ending of the movie.
Next Up
The next film on our Latin American road trip is 2001’s 25 WATTS from Uruguay.
Recent Media
EMPIRE RECORDS (1995): Allan Moyle, Anthony LaPaglia, Maxwell Caulfield
THE SUICIDE SQUAD (2021): James Gunn, Margot Robbie, Idris Elba
Recommendations
THE ACCUSED (1988): Jonathan Kaplan, Kelly McGillis, Jodie Foster
THE ACCUSED (1949): William Dieterle, June Truesdell, Loretta Young
THE REVENANT (2015): Alejandro Iñárritu, Leonardo DiCaprio, Tom Hardy
STAGED (2020–21): Simon Evans, Michael Sheen, David Tennant
Footnotes
Normal footnote service will resume next time: I hurt my hand this morning, and typing’s painful; I could leave it to Rob, but who knows what this section would look like then...
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4.7 - THE KARATE KID (1984) and Belonging
4.6 - ENTER THE DRAGON (1973) and Strength
4.5 - COME DRINK WITH ME (1966) and War
4.4 - SAMURAI SAGA (1959) and Drama
4.3 - SUGATA SANSHIRO (1943) and Perspective
4.2 - JIROKICHI THE RAT (1931) and Editing
4.1 - OROCHI and Futility
Best Of 2018
Prestige Playoff - Round 2
Prestige Playoff - Round 1
Prestige Playoff - Introduction
3.48 - FAMILY PLOT and Reinvention
3.47 - VERTIGO and Obsession
3.46 - ROPE and Intensity
3.45 - THE PLEASURE GARDEN and Transgression
3.43 - THE GRAND BUDAPEST HOTEL and Nesting
3.42 - THE LIFE AQUATIC OF STEVE ZISSOU and Fatherhood
3.41 - BOTTLE ROCKET and Innocence
3.40 - FREE FIRE and Space
3.39 - A FIELD IN ENGLAND and Psychedelia
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