After watching the blockbuster hit "Ocean’s 8" and BBC America’s cat-and-mouse drama "Killing Eve," we noticed some similarities in these leading women - they’re all “bad.” They’re indulgent and driven. They care about their work more than your feelings. They perform for each other more than they do for men (do they even perform for men?). They’re complicated and that’s why we like them. So we wonder: is our current cultural climate — specifically around this #MeToo moment — making space for more dynamic women characters?
Discussed this week:
Philadelphia Eagles safety Malcolm Jenkins uses signs to advocate for criminal justice reform
Actor Ari'el Stachel delivers moving speech at the 72nd annual Tony Awards
"The Man Behind the Music of 'Broad City'" (Stacey Anderson, The New York Times, March 22, 2016)
"This is America” (Childish Gambino, 2018)
"All Mine" (Kanye West, 2018)
"Why 'You are loved' & 'please reach out' are crappy things to post after someone has died by suicide" (Deanna Zandt, Medium, June 8, 2018)
The National Suicide Prevention Lifeline - 800-273-8255
"Dykes to Watch Out For" (Alison Bechdel, 1983-2008)
"Ocean's 8" (dir: Gary Ross, Warner Bros., 2018)
"Killing Eve" (Sid Gentle Films, 2018)
We Wouldn't Leave Kanye, But Should We?
We're Here For Your Anger, Jessica Walter
We’re Queer - and Apparently So Is Everybody Else
We Unpack Black Male Privilege
We Watch Whiteness
We Talk BeyChella
We Get It On (With Ourselves)
We Celebrate the REAL MLK Day
We’re Maxed Out, You’re Maxed Out, Everybody Is Maxed Out
We Love Aunties
We Don’t Love Everything Made By Black People and That’s OK?
We Paint the Town Obama
We Want To Know What Love Is
We Take the 15:17 All the Way to Pyeongchang
We Sink Our Claws Into "Black Panther" with Ta-Nehisi Coates
We'll See You Tomorrow
We Don't Know Where We Are
We're Still Here For Janet
We Have a Right To Be Mad
We Have a Theory About Oprah
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