Does elitism damage or protect art?

Last year was a record-breaking year for poetry sales. In the age of smartphone ‘doom scrolling’, that might seem surprising. But the boom is in part due to social media. The bestseller is the Scottish poet Donna Ashworth, who has been described as "a cheerleader of Instapoetry". Her verse is short, direct and shared online. She has both brought poetry to a new audience and prompted a backlash. According to the cultural commentator James Marriott, “The sales of such books say as much about a public appetite for poetry as the sales of “Live Laugh Love” signs do.” But if poetry is, according to Robert Frost, “when an emotion has found its thought, and the thought has found words”, then who is to say what “counts” as poetry or any other form of art? Meanwhile, Arts Council England, it is claimed, has lost the confidence of the classical music world. ACE has been criticised for its “Let’s Create” strategy, which aims to ensure access to the arts for all. John Gilhooly, the artistic director of Wigmore Hall, says this has led to the council “judging community events and the great artists of the world by the same criteria”. The tension between so-called ‘high art’ and popular culture is as old as the hills. Is it wrong to assert that some works of art are more culturally valuable than others? Or should art be judged on how it is perceived, appreciated and valued by its audience? After all, what gives art value? Does cultural elitism damage or protect art?

Chair: Michael Buerk Producer: Dan Tierney Assistant producer: Peter Everett Editor: Tim Pemberton

Panel: Ash Sarkar Anne McElvoy Mona Siddiqui Tim Stanley.

Witnesses: James Marriott Henry Normal J. J. Charlesworth Barbara Eifler