Why does your mix sound OK in the studio, but terrible in the car?
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Justin Colletti looks through the lens of the "Car Check" to help you figure out why your mixes won't translate to other systems, and what you can do about it.
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SHOULD You Get a Sub for your Studio?
Your Record May Suck Unless Do THIS [SSP048]
Top Tips for MUCH Better Low End [SSP047]
Unpaid Studio Work? When to Work for Free and When Not To [SSP046]
How to Build ANY Kind of Studio for Just $5,000 [SSP045]
The Very Best Places to Learn Audio & Music Production [SSP044]
Learn to Actually HEAR Compression
EQ Before or After Compression? Plus: Multi-band Compression Principles [SSP042]
Money For Your Music: Earning Revenue from Sync Licensing for Film, TV, Games, Commercials & More [SSP041]
Live Sound vs The Studio — with Marc Urselli [SSP040]
The Secrets of Mix Bus Compression... Demystified! [SSP039]
Advanced Compression Techniques: Parallel, Sidechain and Serial Compression
Breaking Through Music Production Plateaus, ft. Ian Temple of Soundfly
This is What Happens When You Learn an Instrument [SSP036]
Getting Better, Faster at Music and Audio (Practice vs Talent in the Music Business) [SSP035]
Are You an Amateur or a Professional Musician? How to Tell. [SSP034]
Reading Meters vs. Reading People: Empathy & Art in Music Production with Nicolas Vernhes [SSP033]
Making Major Music Hits: The Importance of Artist Development with Mark Needham [SSP032]
The Future of the Loudness Wars, A.I. in Music Production, 360 Sound, and more [SSP031]
The Most Important Tool In Your Studio Might Just Be Your Reference Mixes.
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