Why does your mix sound OK in the studio, but terrible in the car?
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Justin Colletti looks through the lens of the "Car Check" to help you figure out why your mixes won't translate to other systems, and what you can do about it.
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Bad Arguments for Super High Resolution Audio, Rebutted!
Mix Bus Processing: How to Compress, EQ, Limit and More (...Without Destroying Your Mix)
Making Money in Music with Brands (ft. Tommy Zee)
Gain Staging Demystified (...How To Set Ideal Levels for Recording and Mixing)
How Much Does Gear Matter in the Studio?
Releasing Good Music Isn't Enough (To Get You Noticed)
How To Master Albums (...Full of Very Different Sounding Tracks)
Two Secrets for HUGE Sounding Mixes
The Most Important Frequency Ranges for EQing Kick and Bass
Better Editing Can Improve Your Mixes More Than Compression or EQ
Is Your Mix Just Different, or Actually Better? Here's How to Tell
The Most Overrated Studio Gear (and the Most Underrated)
The Secret Science of Stacking Compressors
How to Parallel Compress EVERYTHING: A Comprehensive Guide
3 Key Takeaways from Producer and Electronic Artist TAETRO
3 Key Mixing Takeaways from 7X GRAMMY-Winner Brian Vibberts
3 Key Takeaways from Award-Winning Mixer on Mixing Soundtracks and Orchestral Elements
Top 3 Insights from Multi-Platinum Mixer Koen Heldens
Top 3 Music Production Insights from Tom Holkenborg (aka Junkie XL)
Top 3 Takeaways from Grammy-Winning Mixer Quentin "Q" Gilkey
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