Footnote #8 offers a brief detour to the abridged and incomplete animated writings of Russian filmmaker Sergei Eisenstein from the 1940s, and in particular his notorious concept of “plasmaticness” that he argued was a way of understanding the appeal and attraction of Walt Disney’s cartoon images. Listen as Chris and Alex discuss the historical, political, technological, and aesthetic dimensions of “plasmaticness” and the term’s relationship to the Hollywood “rubberhosing” style; the “irresistible changeability” of Disney’s reforming bodies and how, for Eisenstein, such figures momentarily took spectators back to a pre-conscious mode of existence; Disney’s own artistic shift away from plasmatic impulses towards a “hyper-realist” sensibility; and the contemporary digital afterlives of Eisenstein’s animated approach to transformation, character, and movement.
**Fantasy/Animation theme tune composed by Francisca Araujo**
Osmosis Jones (2001) (with Tom Sito)
Footnote #10 - Hybridity
100th Episodes
Footnote #9 - Sword and Sorcery
Your Name (2016) (Live at the British Film Institute)
Doctor Strange in the Multiverse of Madness (2022)
Footnote #7 - The Fantastic
Rogue One (2016) (with Jonathan Wroot)
Footnote #6 - Anthropomorphism
The Secret of Moonacre (2008) (with Lucy Shuttleworth)
Footnote #5 - High Fantasy and Low Fantasy
Contemporary Ukrainian Animation (with Joshua First)
Footnote #4 - Stop-Motion
Encanto (2021) (with Dolores Tierney)
Fantasy/Animation supports the #UCUstrike
Fantasy/Animation supports the #UCUstrike
Howl’s Moving Castle (2004) (with Brian Attebery)
Footnote #3 - Fantasy
Fantasy/Animation supports the #UCUstrike
Join Podbean Ads Marketplace and connect with engaged listeners.
Advertise Today
Create your
podcast in
minutes
It is Free
The Multiverse Fancast
Cinema: A to B
I Finally Watched...
Kill James Bond!
Pod Meets World