Footnote #8 offers a brief detour to the abridged and incomplete animated writings of Russian filmmaker Sergei Eisenstein from the 1940s, and in particular his notorious concept of “plasmaticness” that he argued was a way of understanding the appeal and attraction of Walt Disney’s cartoon images. Listen as Chris and Alex discuss the historical, political, technological, and aesthetic dimensions of “plasmaticness” and the term’s relationship to the Hollywood “rubberhosing” style; the “irresistible changeability” of Disney’s reforming bodies and how, for Eisenstein, such figures momentarily took spectators back to a pre-conscious mode of existence; Disney’s own artistic shift away from plasmatic impulses towards a “hyper-realist” sensibility; and the contemporary digital afterlives of Eisenstein’s animated approach to transformation, character, and movement.
**Fantasy/Animation theme tune composed by Francisca Araujo**
Lady and the Tramp (1955)
Footnote #2 - Animation
Rio (2011) (with Michael Tanzillo)
Footnote #1 - Introduction
See You Yesterday (2019) (with Ebony Elizabeth Thomas)
Mickey‘s Christmas Carol (1983) (with Amy M. Davis)
Gremlins (1984) (with Catherine Lester)
Chinese Animation and the Shanghai Animation Film Studio (1956-1988) (with Yuanyuan Chen)
The Secret of NIMH (1982)
Lovecraft Country (2020) (with Bambi Haggins)
Shrek 2 (2004) (with Sam Summers)
By the Time It Gets Dark (2016) (with Felicity Gee)
The Land Before Time (1988) (with Mark Witton)
Sub-Saharan African Animation (1966-2013) (with Paula Callus)
The Golden Voyage of Sinbad (1973)
Bagpuss (1974) (with Chris Pallant)
Treasure Planet (2002) (with Ron Clements and John Musker)
The Hunger Games (2012) (with Tarja Laine)
Avatar (2009) (with Rupert Read)
Chicken Run (2000) (with Lynn Ferguson)
Join Podbean Ads Marketplace and connect with engaged listeners.
Advertise Today
Create your
podcast in
minutes
It is Free
Cinema: A to B
I Finally Watched...
Star Wars Escape Pod
Pod Meets World
Kill James Bond!