Heffalumps and Woozles take centre stage for Episode 60 of the podcast, as Chris and Alex take a trip deep into Hundred Acre Wood to confront Christopher Robin (Marc Forster, 2018) (not to be confused with the earlier A.A. Milne biography Goodbye Christopher Robin [Simon Curtis, 2017]), and its pleasures of nostalgia. For this latest Listeners’ Choice, they discuss the role of illustration and illusionism in relation to Disney’s earlier Winnie the Pooh animated adaptations; how imagination and impossibility manages the film’s treatment of childhood fantasies, and the extent to which this is mirrored in elements of Christopher Robin’s digital/analogue production; the politics of niceness and the film’s gestures to a Trump-era “nicecore” cinema that delights in kindness and the intrinsic value of ‘being good’; the construction of a malleable, fluid virtual urban space to form bricolage architecture (particularly in its CG portrayal of postwar London); what Christopher Robin has to say about coming back to family, returning home, and simply seeing the world differently; and how doing nothing often leads to the very best kind of something.
Footnote #31 - Claymation
Monster House (2006) (with Jane Batkin)
Footnote #30 - Franchises
Harry Potter and the Prisoner of Azkaban (2004) (with Rhianna Dhillon)
Footnote #29 - Transmedia
Arab Animation (1937-2015) (with Omar Sayfo)
Footnote #28 - Adult Animation
Everything Everywhere All At Once (2022) (with David Sorfa)
Footnote #27 - Surrealism
Harry Potter and the Chamber of Secrets (2002) (with Jyotsna Kapur)
Footnote #26 - The Cinema of Attractions
The Lord of the Rings: The Two Towers (2002) (with Daniel White)
Footnote #25 - Photorealism
Peppa Pig Revisited (with Sarah Ann Kennedy)
Footnote #24 - Hyper-Realism
The Mitchells vs. the Machines (2021)
Footnote #23 - Phantasy
Czech Animation (1946-2011) (with Adam Whybray)
Footnote #22 - Boiling
House of the Dragon (2021-) (with Kim Akass)
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