The tension between spectacle and narrative is investigated through the seminal work of Tom Gunning and his formulation of the “cinema of attractions” in this latest Footnote episode, in which Chris and Alex hold cinema’s propensity for exhibitionist visual display and its later development of story in delicate balance. Listen as they reflect on the emergence of actuality shorts, travelogues, and the ‘trick’ films of Georges Méliès; the acquisition and integration of narrative by cinema that challenged earlier modes of presentationalism; the role of technological innovation in the default myths of silent cinema; and how Gunning’s “cinema of attractions” model defining early film spectatorship and style intersects with both the screen histories and creative figures of fantasy and animation.
**Fantasy/Animation theme tune composed by Francisca Araujo**
Footnote #21 - World-Building
Atlantis: The Lost Empire (2001) (with Gary Trousdale)
Footnote #20 - Christmas
The Snowman (1982) (with James Walters)
Footnote #19 - Morphing
Willow (Ron Howard, 1988)
Footnote #18 - Studio Ghibli (with Susan Napier)
Spirited Away (2001) (with Susan Napier)
Footnote #17 - Metaphor
Inside Out (2015) (with Eric Herhuth)
Footnote #16 - Dual Address (with Noel Brown)
E.T. the Extra-Terrestrial (1982) (with Noel Brown)
Footnote #15 - Motion Capture
In Conversation with Nancy Beiman
Footnote #14 - Thinning
Speed Racer (2008) (with Tim Robey)
Footnote #13 - Folklore and Folkloric
Flee (2021) (with Cristina Formenti)
Footnote #12 - The Lightning Sketch (with Malcolm Cook)
Mothra (1961) (with Alex Davidson)
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