The tension between spectacle and narrative is investigated through the seminal work of Tom Gunning and his formulation of the “cinema of attractions” in this latest Footnote episode, in which Chris and Alex hold cinema’s propensity for exhibitionist visual display and its later development of story in delicate balance. Listen as they reflect on the emergence of actuality shorts, travelogues, and the ‘trick’ films of Georges Méliès; the acquisition and integration of narrative by cinema that challenged earlier modes of presentationalism; the role of technological innovation in the default myths of silent cinema; and how Gunning’s “cinema of attractions” model defining early film spectatorship and style intersects with both the screen histories and creative figures of fantasy and animation.
**Fantasy/Animation theme tune composed by Francisca Araujo**
Ex Machina (2014) (with Andrew Whitehurst)
The Valley of Gwangi (1969) (with Astrid Goldsmith)
Corpse Bride (2005) (with Emily Mantell)
The Pirates! In an Adventure with Scientists! (2012) (with Richard Haynes)
Laputa: Castle in the Sky (1986) (with Robert Maslen)
Mr. Bug Goes to Town (1941)
Charlie and the Chocolate Factory (2005) (with Stuart Messinger)
Spider-Man: Into the Spider-Verse (2018) (with Simran Hans)
King Kong (2005) (with Barry J.C. Purves)
The Fellowship of the Ring (2001) (with Shaun Gunner)
Waltz with Bashir (2008) (with Bella Honess Roe)
Gulliver’s Travels (1939)
Pogles’ Wood (1965-1967) (with Simon Costin)
Aladdin (1992) (with Steve Henderson)
Peppa Pig (2004-) (with Richard Dyer)
The Hunchback of Notre Dame (1996)
Society for Cinema and Media Studies 2019 (Part 2)
Society for Cinema and Media Studies 2019 (Part 1)
Coco (2017) (with Eavesdropping at the Movies)
Tron (1982)
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