“Ripley” -- the stylish eight-episode series currently streaming on Netflix -- is a very deliberate bit of filmmaking. While the black-and-white filming and exquisitely framed shots draw attention to the cinematography, today co-host Louis Weeks and I are speaking with Score Composer Jeff Russo. We explore how Jeff’s relationship with the character of Ripley evolved over time, and Jeff illustrates how this score is an integrated aspect of the storytelling. (Jeff also draws parallels between his collaboration with creator Steve Zaillian and his time as a founding member of the rock band, Tonic, which itself is worth the price of admission.)
S17 - Ep 11 - Gen V - Film Editing
S17 - Ep 10 - Aftersun - Film Editing
S17 - Ep 9 - Hatching - Filming in Latvia
S17 - Ep 8 - Dungeons & Dragons - Visual Effects
S17 - Ep 7 - Jack Ryan - Production Design
S17 - Ep 6 - Twisted Metal - Costume Design
S17 - Ep 5 - Special Ops: Lioness - Score Composition
S17 - Ep 4 - KINO: Financial Inequities and the Future of Film
S17 - Ep 3 - The Menu - Assistant Directing
S17 - Ep 2 - Star Trek: Strange New Worlds - Cinematography
S17 - Ep 1 - Teenage Mutant Ninja Turtles: Mutant Mayhem
S16 - Ep 10 - Hellraiser (2022) - Production Design
S16 - Ep 9 - The Flash - Sound Editing
S16 - Ep 8 - The DGA Agreement: How They Got to Yes
S16 - Ep 7 - Beef - Costume Design
S16 - Ep 6 - A Nightmare on Elm Street 3: Dream Warriors
S16 - Ep 5 - The WGA Strike: Unions in Solidarity
S16 - Ep 4 - Babylon - Production Sound
S16 - Ep 3 - Quasi - Hair and Makeup
S16 - Ep 2 - The WGA Strike: Why It’s Happening
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