“Ripley” -- the stylish eight-episode series currently streaming on Netflix -- is a very deliberate bit of filmmaking. While the black-and-white filming and exquisitely framed shots draw attention to the cinematography, today co-host Louis Weeks and I are speaking with Score Composer Jeff Russo. We explore how Jeff’s relationship with the character of Ripley evolved over time, and Jeff illustrates how this score is an integrated aspect of the storytelling. (Jeff also draws parallels between his collaboration with creator Steve Zaillian and his time as a founding member of the rock band, Tonic, which itself is worth the price of admission.)
Season 7 - Ep 6 - Oscars - Sound
Season 7 - Ep 5 - DGA Awards - First-Time Features
Season 7 - Ep 4 - DGA Awards - Theatrical Feature Films
Season 7 - Ep 3 - COVID-19 - Props in the Pandemic
Season 7 - Ep 2 - COVID-19 - Managing the Set
Season 7 - Ep 1 - COVID-19 - State of the Industry
Season 6 - Ep 10 - Combat Camera at Vandenberg AFB
Season 6 - Ep 9 - COVID-19 - Non-Union Production
Season 6 - Ep 8 - The Forty-Year-Old Version
Season 6 - Ep 7 - COVID-19 - Protocols for Filming
Season 6 - Ep 6 - COVID-19 - Central Casting
Season 6 - Ep 5 - Ozark
Season 6 - Ep 4 - Party of Five
Season 6 - Ep 3 - COVID-19 - Filming During Quarantine
Season 6 - Ep 2 - The Thing, Part II
Season 6 - Ep 1 - The Thing, Part I
Season 5 - Ep 12 - COVID-19 - Sheltering in Place
Season 5 - Ep 11 - COVID-19 - Teamster Strong
Season 5 - Ep 10 - COVID-19 - Danger Force
Season 5 - Ep 9 - Props - ISS
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