In this episode, Dave and Andrew look through Windows at Jacob Druckman's compositional style and legacy in American music. Druckman taught at Yale and the Aspen Music Festival for years, shaping generations of young composers, and coined the term "New Romanticism" when he curated the Horizons Festivals at the NY Philharmonic in the mid-1980s. Yet today, his attempts to merge modernist techniques with audience-friendly sounds are largely forgotten. Should they be?
If you'd like to know more about Druckman, we recommend:
Episode 14 - 1956: Ernst Toch, Symphony No. 3
Episode 13 - 1955:Gian Carlo Menotti, The Saint of Bleecker Street
Episode 12 - 1954: Quincy Porter, Concerto for Two Pianos and Orchestra
EPISODE 11 - 1953: No Prize
EPISODE 10 - 1952: Gail Kubik, Symphony Concertante
Episode 9 - 1951: Douglas Moore, Giants in the Earth
Episode 8 - 1950: Gian Carlo Menotti, The Consul
Episode 7 - 1949: Virgil Thomson, Louisiana Story
Episode 6 - 1948: Walter Piston, Symphony No. 3
Episode 5 - 1947: Charles E. Ives, Symphony No. 3, "The Camp Meeting"
Episode 4 - 1946: Leo Sowerby, Canticle of the Sun
Episode 3 - 1945: Aaron Copland, Appalachian Spring
Episode 2: 1944 - Howard Hanson, Symphony No. 4 ("Requiem")
Episode 1 - 1943: William Schuman, Secular Cantata, No. 2, "A Free Song"
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