Composer Ben Lovett's unique path to becoming a film composer is a true inspiration as the career found him versus the other way around. Hear Ben's story about how he found himself composing music for The Last Goodbye and The Signal, and how that led to collaborative relationships with filmmakers Jacob Gentry, David Bruckner and Dan Bush. Ben shares if he ever gets discriminated for not being a classically trained composer in today's industry and how he shaped his sound and style. We also dive into his process for The Ritual, a new horror film that reunites Ben with director David Bruckner.
Interview Produced & Presented By: Kaya Savas
Batu Sener (Composer: The Ice Age Adventures Of Buck Wild | Ice Age - Scrat Tales)
Joseph Stephens (Composer: The Righteous Gemstones)
Composers Talk (2nd Annual Symposium)
Music That Drives Stories (2nd Annual Symposium)
Composing Combos & Songwriting Duos (2nd Annual Symposium)
Sharon Farber (Composer: Brainwashed - Sex-Camera-Power
Rufus Wainwright (Songwriter: ”Secret Sister” from Rebel Hearts)
Alan Silvestri (Music & Lyrics: Back To The Future - The Musical)
Dara Taylor (Composer: The Tender Bar)
Matthew Margeson & Dominic Lewis (Composers: The King‘s Man)
Steve Jablonsky (Composer: Red Notice)
Gregory Tripi (Composer: Warning)
Sebastian Zuleta (Music Editor: Wu-Tang - An American Saga | Finch)
Dominic Lewis (Composer: Monsters At Work)
Gustavo Santaolalla (Composer: The Last Of Us Part II | Monsterland)
Tom Holkenborg (Composer: Army Of The Dead | Justice League)
Charlie Clouser (Composer: Spiral - From The Book Of Saw)
Howard Shore (Composer: Funny Boy)
Anthony Willis (Composer: Promising Young Woman)
Geoff Zanelli (Composer: Fatale)
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