Composer Ben Lovett's unique path to becoming a film composer is a true inspiration as the career found him versus the other way around. Hear Ben's story about how he found himself composing music for The Last Goodbye and The Signal, and how that led to collaborative relationships with filmmakers Jacob Gentry, David Bruckner and Dan Bush. Ben shares if he ever gets discriminated for not being a classically trained composer in today's industry and how he shaped his sound and style. We also dive into his process for The Ritual, a new horror film that reunites Ben with director David Bruckner.
Interview Produced & Presented By: Kaya Savas
Tim Wynn (Composer: Freaks)
Austin Wintory (Composer: Erica)
Bear McCreary (Composer: Godzilla | Child's Play)
Jasper Leak (Music Supervisor: Quincy)
Matthew Margeson (Composer: Rocketman)
Dean DeBlois & John Powell (Director & Composer: How To Train Your Dragon Trilogy)
Siddhartha Khosla (Composer: This Is Us)
Alan Silvestri (Composer: Avengers: Endgame)
Christopher Young (Composer: Pet Sematary)
David Schwartz (Composer: Arrested Development | The Good Place | Veep)
Gabriel Mann (Composer: A Million Little Things | Modern Family)
Nathan Barr (Composer: The House With A Clock In Its Walls)
Nicholas Britell (Composer: Vice | If Beale Street Could Talk)
Diane Warren (Songwriter "I'll Fight" from RBG)
Christopher Willis (Composer: The Death Of Stalin)
All Access: Henry Jackman - Episode 2 (Ralph Breaks The Internet, The Predator)
Composer Interview: Rolfe Kent
All Access: Carter Burwell (The Ballad Of Buster Scruggs)
All Access: Tony Morales (Elena of Avalor / An Actor Prepares)
Composer Interview: Gabriele Ciampi (Hybrid)
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