Joining us this week is Chris Wyse, whose rock ‘n roll resume includes past stints with Ozzy Osbourne and The Cult, and who now holds down the low end for Ace Frehley when not fronting his own band Owl. While he spent the better part of the late 80s and early 90s in his own bands, Chris tells us about his decision to leave his home in New York and cross the country to Los Angeles in the mid-90s. Thanks to a relationship with mega-producer Bob Rock, Chris was able to play with a wide array of musicians, and was a part of the Tal Bachman band responsible for the Top 10 single “She’s So High.” From there, Chris went on to work with Scott Weiland, Nina Gordon of Veruca Salt, Mick Jagger, and eventually landed one the audition spots for Metallica, as seen in the documentary Some Kind of Monster. Chris takes us through it all, talks songwriting, equipment and the importance of music education in this wide-ranging interview.
Songs in this Episode:
#536: Lo-Fi in the 90s
#535: Rotting Piñata by Sponge
#534: Pushing the Salmanilla Envelope by Jimmie's Chicken Shack
#533: Bring On The Juice by Hoss
#532: Sophomore Slump Revisited - Congratulations, I'm Sorry by Gin Blossoms
#531: Mint 400 by Ammonia
#530: Friction, Baby by Better Than Ezra
#529: Eyewitness by Shades Apart
#528: Tokyo An*l Dynamite by The Gerogerigegege
#527: Cats and Dogs by Royal Trux
#526: Neil Young In The 90s
#525: Clutch by Clutch
#524: Rid Of Me by PJ Harvey
#523: Frizzle Fry by Primus
#522: Albums of 1991 Roundtable
#521: Yank Crime by Drive Like Jehu
#520: Season Ten - Year In Review
#519: Every Good Boy Deserves Fudge by Mudhoney
#518: Waiting For The Punchline by Extreme
#517: Music We're Thankful For In 2020
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