In this episode, Dave and Andrew explore the first music winner in three years, Leslie Bassett. After two decades of honoring fairly conservative, European-derived pieces and two years of not honoring any pieces of music, what direction will the Pulitzer go in the late 1960s?
If you'd like more information about Leslie Bassett, we recommend:
Stephanie Brunelli's dissertation, The use of the piano in the twentieth-century orchestra: A study of Pulitzer Prize compositions by Copland, Bassett, and Druckman
Episode 14 - 1956: Ernst Toch, Symphony No. 3
Episode 13 - 1955:Gian Carlo Menotti, The Saint of Bleecker Street
Episode 12 - 1954: Quincy Porter, Concerto for Two Pianos and Orchestra
EPISODE 11 - 1953: No Prize
EPISODE 10 - 1952: Gail Kubik, Symphony Concertante
Episode 9 - 1951: Douglas Moore, Giants in the Earth
Episode 8 - 1950: Gian Carlo Menotti, The Consul
Episode 7 - 1949: Virgil Thomson, Louisiana Story
Episode 6 - 1948: Walter Piston, Symphony No. 3
Episode 5 - 1947: Charles E. Ives, Symphony No. 3, "The Camp Meeting"
Episode 4 - 1946: Leo Sowerby, Canticle of the Sun
Episode 3 - 1945: Aaron Copland, Appalachian Spring
Episode 2: 1944 - Howard Hanson, Symphony No. 4 ("Requiem")
Episode 1 - 1943: William Schuman, Secular Cantata, No. 2, "A Free Song"
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