In this episode, Dave and Andrew explore the fourth opera to win the Pulitzer Prize in the 1950s, Samuel Barber's Vanessa. In the mid-20th century United States, Samuel Barber was one of the most performed American composers, known especially for his beautiful vocal music that closely mirrored European models. But with the Pulitzer traditionally awarding works that are more "American" in sound, does Vanessa represent a departure from convention for Barber or the Pulitzer board?
If you'd like more information about Samuel Barber or Vanessa we recommend:
Episode 50 - 1992: Wayne Peterson, The Face of the Night, The Heart of the Dark
Bonus: An Interview with Howard Pollack
Episode 49 - 1991: Shulamit Ran, Symphony
Episode 48 - 1990: Mel Powell, Duplicates
Episode 47 - 1989: Roger Reynolds, Whispers Out of Time
Bonus: An Interview with William Bolcom
Episode 46 - 1988: William Bolcom, Twelve New Etudes
Bonus: An Interview with John Harbison
Episode 45 - 1987: John Harbison, The Flight Into Egypt
Episode 44 - 1986: George Perle, Wind Quintet IV
Episode 43 -1985: Stephen Albert, Symphony RiverRun
Episode 42 - 1984: Bernard Rands, Canti del Sole
Bonus: An Interview with Ellen Taaffe Zwilich
Episode 41 - 1983: Ellen Taaffe Zwilich, Symphony No.1 (Three Movements for Orchestra)
Episode 40 - 1982: Roger Sessions, Concerto for Orchestra
Episode 39 - 1981: No Winner
Episode 38 - 1980: David Del Tredici, In Memory of a Summer Day
Episode 37 - 1979: Joseph Schwantner, Aftertones of Infinity
Episode 36 - 1978: Michael Colgrass, Déjà Vu
Episode 35 - 1977: Richard Wernick, Visions of Terror and Wonder
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