We talk to international bestselling writer Mohsin Hamid about his new book, The Last White Man.
The conversation covers the key themes of his new novel: race, transformation, freedom, loss - as well as his journey into writing fiction, and, how a story is only ever half-told, until it finds a reader…
Many will know his Booker shortlisted novels The Reluctant Fundamentalist and Exit West. And some may also know his other novels Moth Smoke and How to Get Filthy Rich in Rising Asia - and a non-fiction book, Discontent and its Civilizations. He writes regularly for The New York Times, the Guardian and the New York Review of Books. Born and mostly raised in Lahore, Pakistan, he has since lived between Lahore, London and New York.
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Writing fantasy with Nuraliah Norasid
Going from self-publishing to traditional publishing with AE Warren
Jenn Ashworth on writing fiction & non-fiction
Nazry Bahrawi & Vineet Lal in conversation
Carole Angier on writing the first biography of W.G. Sebald
Megan Abbott on crime writing‘s power to change society
Structuring a novel: Rebecca Watson talks to Chitra Ramaswamy about Little Scratch
Kate Mosse on the Women‘s Prize, Discoveries and research
Finding hope in an age of crisis - with Tom Whyman
Lewis Buxton on boyhood, sexuality, sport and publishing his first poetry collection
Shash Trevett & Geetha Sukumaran on translating Tamil poetry
Olivia Hellwell on translating from Slovene (+ the cultural importance of crisps)
Substack, the creator economy & serialised storytelling with Elle Griffin
Tommy Sissons on writing a prose polemic
How to become a literary translator: deep dive
Tsitsi Dangarembga on representation, feminism and Zimbabwean literature
William Ryan's Guide to How to Write
Jen Campbell on building your writer platform
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