I am pleased to report that no computer malfunctions occurred on this night. That's a first for 2019, I think. Our intrepid general manager texts me instead of calling the studio phone, and at a reasonable time as well. The stars are lining up!
Regrettably I am not at my best here, unless this is the best we can expect. My adventures in pronunciation continue, most notably with "Oneohtrix," although in my defense opinions seem to differ on that one. I have a frog in my throat, the beginning of another motif. I confidently proclaim that the PAN label is from Berlin, only to express doubt that it is even from Germany. After (finally) playing Gaye Su Akyol, I mention that "she's out of Turkey," which sounds like she is struggling to make a sandwich. Segue-ing from Public Service Broadcasting into The Snivelling Shits was perhaps less than smooth (but I did my best). And, in the "executive functioning" department, I should probably have played more reggae than the one Lee Perry track. These issues aside, this is a program for the vaults!
Reckoning: I marvel at our first airing of Skinny Puppy ("we're partying like it's 1988!") because once upon a time they were a staple of my radio diet. In my early days in college radio I labeled my program "industrial." I loved drum machines and synthesizers then (and do still) and there was a culture war afoot. This music needed defending, I felt, and there was relatively little of it and it was so hard to come by. I didn't save my playlists from that time, and there are precious few cassette recordings of old shows, but I would say that 30 years ago I played Bites quite a bit. Looking back, this music...doesn't hold up for me? (In fairness this is also true of plenty of "rock" records.) The synths and samples seem very second-wave, and the middle-aged person in me wonders if the singer isn't hurting his voice. I can't help but wonder if we saw more there than really is there. As proof that this is more about me than Skinny Puppy, I find myself enjoying OMD, of all things, in the 21st century, and I never would have played them in college. If that isn't selling out in old age I don't know what is.
BOMBAST playlist, 2019 January 16, 2100-2300:
This is your safe space
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Cruising Altitude Departure 31, 2019 March 23
We Are Your Latenight Weeknight Companion: Transmission 455, 2019 March 20
She Understands There Are Problems: Transmission 454, 2019 March 17
Never Was Naive Enough To Know When I Was Wrong: Transmission 453, 2019 March 13
You Can't Get Enough, But Enough Ain't the Test: Transmission 452, 2019 March 6
Another Island Where No One Remembers Your Name: Transmission 451, 2019 February 27
This Is Why First Impressions Are Often Correct: Transmission 450, 2019 February 20
I'll Walk You Through The Heartbreak, Show You All the Outtakes: Transmission 449, 2019 February 13
I Gave My Time, Now I Want It Back: Transmission 448, 2019 February 6
Fireworks for You in the Ozone Snow: Transmission 447, 2019 January 30
Ducking as a Chandelier Comes Crashing Down: Transmission 446, 2019 January 29
Everybody Hears You and Don't Hate What You Say: Transmission 445, 2019 January 23
Keep Your Gifts and Keep Your Money: Transmission 443, 2019 January 9
Sound Formed in a Vacuum May Seem a Waste of Time: Transmission 442, 2019 January 4
How Long Have You Had This Plan: Transmission 441, 2019 January 2
A Happier Planet Than This One: Transmission 440, 2018 December 26
We Met at a Ski Lodge: Transmission 439, 2018 December 23
Let Me Show You How Sweet It Could Be: Transmission 438, 2018 December 19
You Know That Time's Not Kind: Transmission 437, 2018 December 12
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