I am pleased to report that no computer malfunctions occurred on this night. That's a first for 2019, I think. Our intrepid general manager texts me instead of calling the studio phone, and at a reasonable time as well. The stars are lining up!
Regrettably I am not at my best here, unless this is the best we can expect. My adventures in pronunciation continue, most notably with "Oneohtrix," although in my defense opinions seem to differ on that one. I have a frog in my throat, the beginning of another motif. I confidently proclaim that the PAN label is from Berlin, only to express doubt that it is even from Germany. After (finally) playing Gaye Su Akyol, I mention that "she's out of Turkey," which sounds like she is struggling to make a sandwich. Segue-ing from Public Service Broadcasting into The Snivelling Shits was perhaps less than smooth (but I did my best). And, in the "executive functioning" department, I should probably have played more reggae than the one Lee Perry track. These issues aside, this is a program for the vaults!
Reckoning: I marvel at our first airing of Skinny Puppy ("we're partying like it's 1988!") because once upon a time they were a staple of my radio diet. In my early days in college radio I labeled my program "industrial." I loved drum machines and synthesizers then (and do still) and there was a culture war afoot. This music needed defending, I felt, and there was relatively little of it and it was so hard to come by. I didn't save my playlists from that time, and there are precious few cassette recordings of old shows, but I would say that 30 years ago I played Bites quite a bit. Looking back, this music...doesn't hold up for me? (In fairness this is also true of plenty of "rock" records.) The synths and samples seem very second-wave, and the middle-aged person in me wonders if the singer isn't hurting his voice. I can't help but wonder if we saw more there than really is there. As proof that this is more about me than Skinny Puppy, I find myself enjoying OMD, of all things, in the 21st century, and I never would have played them in college. If that isn't selling out in old age I don't know what is.
BOMBAST playlist, 2019 January 16, 2100-2300:
This is your safe space
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Cruising Altitude Departure 30, 2018 December 8
Songs About Bad People: Transmission 436, 2018 December 5
C'mon Queenie, Let's Get With It: Transmission 435, 2018 December 1
I Make My Own True Crooked Way: Transmission 434, 2018 November 28
U_D_M Detour 34, 2018 November 17
Daddy Goes Dancing with Mommy-O: Transmission 433, 2018 November 14
Feels Like Murder But That's Alright: Transmission 432, 2018 November 7
Cruising Altitude Departure 29, 2018 November 3
No More Worlds Like This, No More Days Like That: Transmission 431, 2018 October 31
U_D_M Detour 33, 2018 October 27
People Differ in an Absolutely General Way: Transmission 430, 2018 October 24
A Love Like Ours Is Rare: Transmission 429, 2018 October 17
We'll Be the Pirate Twins Again: Transmission 428, 2018 October 14
There's Always Danger in Your Dreams: Transmission 427, 2018 October 10
Sardonicus Keeps Smiling Till the End: Transmission 426, 2018 October 3
You Broke the World That You're Not Long For: Transmission 425, 2018 September 26
Can I Be You, I Don't Want To Be Me: Transmission 424, 2018 September 19
Dare To Live in Your Body: Transmission 423, 2018 September 12
Hold Onto Your Darkness: Transmission 422, 2018 September 5
If Your Heart's Strong, Hold On: Transmission 421, 2018 August 22
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