Chicago and the surrounding areas like Champaign-Urbana nurtured a big guitar rock sound found in the Smashing Pumpkins, Hum, Catherine, Veruca Salt, Fig Dish, and others. Originally called Mother for their debut, the band signed to a major label, changed their name to Menthol, and produced an album worthy of that group with 1995's self-titled release. But the band takes a different approach vocally, spitting big chunks of lyrics filled with a variety of references and twisted wordplay.
Songs In This Episode:
Intro - Dry Heaves (Of The Well-Adorned)
17:34 - Stress Is Best
20:35 - U.S.A. Capable
26:35 - Perfect Spirals
32:58 - Briefcase Full Of Cash
Outro - Francis Scott Key
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#518: Waiting For The Punchline by Extreme
#517: Music We're Thankful For In 2020
#516: Fictional Bands and Artists of the 90s
#515: Retreat From The Sun by that dog.
#514: Boggy Depot by Jerry Cantrell
#513: Cattlemen Don't by Triplefastaction
#512: Favorite Record Labels of the 90s
#511: Dirt Track Date by Southern Culture on the Skids
Dig Me Out '80s revisits Fair Warning by Van Halen
#510: Whiskey For The Holy Ghost by Mark Lanegan
#509: Perfect From Now On by Built To Spill
#508: All The Pain Money Can Buy by Fastball
#507: Regret Is An Inevitable Consequence of Life by Ricaine
#506: The Ponzi Scheme by Firewater
#505: In A Perfect World by Season To 'Risk
#504: Dummy by Portishead
#503: Athens, Georgia in the 1980s and 90s
#502: In The Aeroplane Over The Sea by Neutral Milk Hotel
#501: Cure For Pain by Morphine
#500: Nevermind by Nirvana
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